{"id":7,"date":"2019-01-10T00:48:56","date_gmt":"2019-01-09T23:48:56","guid":{"rendered":"http:\/\/catherinemestoussis.com\/?page_id=7"},"modified":"2025-07-29T14:00:08","modified_gmt":"2025-07-29T12:00:08","slug":"accueil","status":"publish","type":"page","link":"https:\/\/catherinemestoussis.com\/","title":{"rendered":"Home"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2022\/05\/catherine-mestoussis_2.jpg” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ min_height=”634px” custom_margin=”0px|||||” custom_padding=”0px|||||” global_colors_info=”{}”]<\/p>\n

Catherine<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span> \u00a0\u00a0Mestoussis <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong>\u00a0est com\u00e9dienne. Elle a \u00e9tudi\u00e9 au Conservatoire Royal de Li\u00e8ge ( <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>ESACT <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong>).<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Elle travaille avec des personnalit\u00e9s telles qu’Isabelle Pousseur, Lorent Wanson, Charles Tordjman, Fran\u00e7ois Bon, Mathias Simons, Didier de Neck, Isabelle Gyselinx, Dominique Roodthooft, Myriam Muller, Delphine Bibet\/Aurore Fathier…<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Elle travaille avec <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Joel Pommerat<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> sur le spectacle <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Cendrillon<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/em><\/strong> (Th\u00e9\u00e2tre National Bruxelles, Th\u00e9\u00e2tre de l’Od\u00e9on Paris,… <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Prix du meilleur spectacle belge<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> en 2012) (Tourn\u00e9es en France et internationales (2011 \u00e0 2018, 2022 \u00e0 2024 – <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>700 repr\u00e9sentations<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> )<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Elle re\u00e7oit en 2013 (avec Magali Pinglaut) le <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>prix de la meilleure com\u00e9dienne en Belgique<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> pour le spectacle <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Les Invisibles<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/em> \u00a0(d’apr\u00e8s <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Le quai de Ouistreham<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/em> de <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Florence Aubenas<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> ), mis en sc\u00e8ne par <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Isabelle Pousseur<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> .<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Au cin\u00e9ma, elle appara\u00eet dans le film <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>\u00c7a rend heureux<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/em> de <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Joackim Lafosse<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> et dans <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Folle embellie<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/em> de <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Dominique Cabrera<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> . Elle a enseign\u00e9 au Conservatoire Royal de Li\u00e8ge.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Elle a jou\u00e9 dans <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Tristesse<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/em> (mise en sc\u00e8ne de <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Anne-C\u00e9cile Vandalem<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> ) (Th\u00e9\u00e2tre National de Bruxelles, Th\u00e9\u00e2tre de Li\u00e8ge, Th\u00e9\u00e2tre de l’Od\u00e9on Paris), <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>prix du meilleur spectacle belge 2015<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong>, spectacle pr\u00e9sent\u00e9 au Festival d’Avignon en 2016. Tourn\u00e9es en France et internationales (2015-2019).<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Elle a jou\u00e9 dans <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Playbacks<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/em>\u00a0(<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>mise en sc\u00e8ne <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Delphine Bibet\/Aurore Fathier<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> )\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span> au Th\u00e9\u00e2tre National de Bruxelles, <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>dans <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>La Ronde Flamboyante<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/em><\/strong> de Emmanuel De Candido (mise en sc\u00e8ne de Olivier Lenel) au Th\u00e9\u00e2tre de Li\u00e8ge ainsi que dans <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Normal<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/em><\/strong> de Isabelle Darras et Elisabeth Ancion au Centre Dramatique de Mons et Th\u00e9\u00e2tre National de Bruxelles. Et derni\u00e8rement dans <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Le songe d’une nuit d’\u00e9t\u00e9<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> – W. Shakespeare<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/em> au Grand Th\u00e9\u00e2tre du Luxembourg (mise en sc\u00e8ne <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Myriam Muller<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong> ).<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Elle travaille cette saison 25\/26 sur la prochaine cr\u00e9ation de <\/span><\/span><\/span><\/span><\/span><\/span>Thiphaine Raffier<\/span><\/span><\/span><\/span><\/span><\/span><\/strong>. R\u00e9sidences dans diff\u00e9rentes sc\u00e8nes nationales fran\u00e7aises.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#000000″ divider_weight=”1px” _builder_version=”4.16″ height=”1px” custom_margin=”-21px||-51px” filter_opacity=”20%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ disabled_on=”off|off|off” _builder_version=”4.27.4″ global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_cta title=”Monstres” button_url=”https:\/\/lestanneurs.be\/spectacle\/monstres\/” url_new_window=”on” _builder_version=”4.27.4″ header_font=”Koulen||||||||” header_font_size=”50px” background_color=”#000000″ width=”100%” custom_margin=”|||-17px” link_option_url=”https:\/\/lestanneurs.be\/spectacle\/monstres\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

<\/em><\/p>\n

– – –<\/p>\n

Un projet de Catherine Mestoussis
<\/span><\/em>XS – Th\u00e9\u00e2tre Les Tanneurs<\/strong>
15 \u2013 19.04.2025<\/span><\/em><\/p>\n

– – –<\/em><\/p>\n

Conception, \u00e9criture et jeu <\/span>Catherine Mestoussis | <\/strong>Collaboration \u00e0 l’\u00e9criture et conception & r\u00e9alisation <\/span>Eve Bonfanti<\/strong>\u00a0et\u00a0<\/span>Yves Hunstad | <\/strong>Assistanat et retranscription des textes Alba Porte | <\/strong>Lumi\u00e8re Guillaume Rizzo | <\/strong>Production & diffusion Isabelle Huart et Catherine Mestoussis <\/strong>| Conseill\u00e9 \u00e0 la production Philippe Maby<\/strong><\/em><\/p>\n

<\/strong><\/em><\/p>\n

Une production d\u00e9l\u00e9gu\u00e9e (XS) du Th\u00e9\u00e2tre Les Tanneurs | Avec le soutien de La Fabrique Imaginaire, de la Maison de la Culture de Tournai \u2013 R\u00e9sidence Artistes, du Th\u00e9\u00e2tre Oc\u00e9an Nord \u2013 R\u00e9sidence Artistes, de la Montagne Magique \u2013 R\u00e9sidence Artistes, du Th\u00e9\u00e2tre des Doms\u2013 R\u00e9sidence Artistes et de la Chaufferie Acte 1 \u2013 Bourse d\u2019\u00e9criture. Avec l\u2019aide de la F\u00e9d\u00e9ration Wallonie-Bruxelles, Service G\u00e9n\u00e9ral de la Cr\u00e9ation Artistique \u2013 Direction du Th\u00e9\u00e2tre<\/span><\/em><\/p>\n

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– – –<\/span><\/em><\/p>\n

[\/et_pb_cta][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2025\/04\/catherine-mestoussis-1-e1745520171270.jpg” title_text=”catherine-mestoussis” align=”right” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ custom_margin=”|0px||0px” custom_padding=”|13px||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”on|on|off” _builder_version=”4.27.4″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#000000″ divider_weight=”1px” _builder_version=”4.16″ height=”1px” custom_margin=”-21px||-51px” filter_opacity=”20%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ disabled_on=”off|off|off” _builder_version=”4.24.0″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_cta title=”Songes d’une nuit d’\u00e9t\u00e9” button_url=”https:\/\/youtu.be\/Tr1NyX-XjX0?si=NSb17bqDTLiGGLAa” url_new_window=”on” button_text=”Voir un extrait” _builder_version=”4.27.4″ header_font=”Alata||||||||” header_font_size=”30px” background_color=”#000000″ custom_margin=”|||-17px” link_option_url=”https:\/\/youtu.be\/Tr1NyX-XjX0?si=NSb17bqDTLiGGLAa” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

<\/em><\/p>\n

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– – –<\/p>\n

Songes d’une nuit d’\u00e9t\u00e9, W. Shakespeare
<\/em>Mise en sc\u00e8ne Myriam Muller – 2023
Reprise en Septembre 2024
Grand Th\u00e9\u00e2tre du Luxembourg<\/p>\n

– – –<\/p>\n

[\/et_pb_cta][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2024\/06\/songes.jpg” title_text=”songes” align=”right” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.24.0″ custom_margin=”|0px||0px” custom_padding=”|13px||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#000000″ divider_weight=”1px” _builder_version=”4.16″ height=”1px” custom_margin=”-21px||-51px” filter_opacity=”20%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_cta title=”cendrillon” button_url=”https:\/\/youtu.be\/ooO7BCy7gg0″ url_new_window=”on” button_text=”Voir un extrait” _builder_version=”4.27.4″ header_font=”Aboreto||||||||” header_font_size=”38px” background_color=”#000000″ custom_margin=”|||-17px” global_colors_info=”{}”]<\/p>\n

Cendrillon<\/strong><\/em> |\u00a0Jo\u00ebl Pommerat
<\/strong>Th\u00e9\u00e2tre National de Bruxelles.
Tourn\u00e9e internationale.
Prix du meilleur spectacle belge en 2012.
Actuellement au Th\u00e9\u00e2tre de la Porte Saint – Martin jusqu’au 19 juillet 2022.<\/b>
<\/strong><\/p>\n

[\/et_pb_cta][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/01\/IMG_0724.jpg” url=”#” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|0px||” custom_padding=”|1px||” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/01\/images-2.jpeg” align=”right” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|0px||0px” custom_padding=”|13px||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/youtu.be\/Ago6uWYqlfY” image_src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/11\/Capture-d\u2019\u00e9cran-2019-11-20-\u00e0-08.59.12.png” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/01\/IMG_0723.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/cendrillon-pommerat-678×381.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_cta button_url=”https:\/\/player.vimeo.com\/external\/216147269.hd.mp4?s=ea4f4dd5fd0aaffc61d14815f6051e48a4e3c75a&profile_id=119″ url_new_window=”on” button_text=”Visionner le spectacle” _builder_version=”4.16″ background_color=”#000000″ custom_margin=”|||-17px” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#000000″ divider_weight=”1px” _builder_version=”4.16″ height=”1px” custom_margin=”-21px||-51px” filter_opacity=”20%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_cta title=”les invisibles” button_text=”Click Here” _builder_version=”4.27.4″ header_font=”Carter One||||||||” header_font_size=”38px” background_color=”#000000″ width=”100%” module_alignment=”right” global_colors_info=”{}”]<\/p>\n

Cr\u00e9ation au Th\u00e9\u00e2tre Oc\u00e9an Nord, mis en sc\u00e8ne par Isabelle Pousseur,<\/strong> d’apr\u00e8s “Le Quai de Ouistreham” de Florence Aubenas.<\/p>\n

Prix de la meilleure com\u00e9dienne<\/strong> (avec Magali Pinglaut) avec aux prix de la critique belge 2013<\/p>\n

[\/et_pb_cta][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/01\/PMB2254.jpg” url=”#” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|0px||” custom_padding=”|1px||” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_INVISIBLES3.jpg” url=”#” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|0px||” custom_padding=”|1px||” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/01\/PMB0591_DxO.jpg” url=”#” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|0px||” custom_padding=”|1px||” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_INVISIBLES2.jpg” url=”#” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|0px||” custom_padding=”|1px||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/youtu.be\/syIll_O-2Ow” image_src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/01\/PMB2056.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2019\/01\/PMB1917_DxO.jpg” align=”right” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ custom_margin=”|0px||0px” custom_padding=”|13px||” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_INVISIBLES.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_INVISIBLES7.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_INVISIBLES6.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_INVISIBLES5.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#000000″ divider_weight=”1px” _builder_version=”4.16″ height=”1px” custom_margin=”-21px||-51px” filter_opacity=”20%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_cta title=”PLAYBACK _HISTOIRES D\u2019AMOUR” button_text=”Click Here” _builder_version=”4.27.4″ header_font=”Bodoni Moda||||||||” background_color=”#000000″ width=”100%” global_colors_info=”{}”]<\/p>\n

Mise en sc\u00e8ne: Delphine Bibet. Th\u00e9\u00e2tre National Bruxelles | Th\u00e9\u00e2tre de Namur. Tourn\u00e9e pr\u00e9vue en 2020\/2021.<\/p>\n

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Mise en sc\u00e8ne: Anne-C\u00e9cile Vandalem.
Th\u00e9\u00e2tre National de Bruxelles.
Tourn\u00e9e internationale.\u00a0Prix du meilleur spectacle belge 2015<\/span><\/p>\n

[\/et_pb_cta][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/IMG_0718.jpg” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/IMG_0722.jpg” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#000000″ divider_weight=”1px” _builder_version=”4.16″ height=”1px” custom_margin=”-21px||-51px|||” filter_opacity=”20%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_cta title=”BECKET” button_text=”Click Here” _builder_version=”4.27.4″ header_font=”Bubbler One||||||||” header_font_size=”38px” background_color=”#000000″ width=”100%” module_alignment=”right” global_colors_info=”{}”]<\/p>\n

Gagner ou perdre.
Mise en sc\u00e8ne: Isabelle Gyselinx<\/p>\n

[\/et_pb_cta][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/becket_gangerouperdre2.jpg” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/becket_gangerouperdre.jpg” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#000000″ divider_weight=”1px” _builder_version=”4.16″ height=”1px” custom_margin=”-21px||-51px” filter_opacity=”20%” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_cta title=”ELECTRE” button_text=”Click Here” _builder_version=”4.27.4″ header_font=”Bungee||||||||” header_font_size=”32px” background_color=”#000000″ width=”100%” module_alignment=”right” global_colors_info=”{}”]<\/p>\n

De Sophocle<\/em>.
Mise en sc\u00e8ne: Isabelle Pousseur. Th\u00e9\u00e2tre National Bruxelles.<\/p>\n

[\/et_pb_cta][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_electre-1.jpg” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”http:\/\/catherinemestoussis.com\/wp-content\/uploads\/2020\/02\/CATH_electre2-1.jpg” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Catherine \u00a0\u00a0Mestoussis \u00a0est com\u00e9dienne. Elle a \u00e9tudi\u00e9 au Conservatoire Royal de Li\u00e8ge ( ESACT ). Elle travaille avec des personnalit\u00e9s telles qu’Isabelle Pousseur, Lorent Wanson, Charles Tordjman, Fran\u00e7ois Bon, Mathias Simons, Didier de Neck, Isabelle Gyselinx, Dominique Roodthooft, Myriam Muller, Delphine Bibet\/Aurore Fathier… Elle travaille avec Joel Pommerat sur le spectacle Cendrillon (Th\u00e9\u00e2tre National Bruxelles, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

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